21 - 23 November 2017
Writers' Surgery Retreat
Rye, Sussex, UK
A two day course for those who would like in-depth mentoring with their novel-, story- or memoir-in-progress. Or help freeing their imagination.
Art, Literature and the Brigades
An International Brigades workshop under the auspices of the University of Castilla-La Mancha.
(To be confirmed)
2 - 9 June 2018
So You Want to Write a Novel, Intensive
A week of workshops or writing time in a restored farmhouse with a pool.
Write Now! in Syros
Hermoupolis, Cyclades, Greece
A week-long intensive retreat, jointly taught by Anne Aylor and Faber author Elise Valmorbida.
Wondering what special gift you might give to someone who writes or wants to? Why not give a place on one of our upcoming writing courses? There are a wide variety of workshops for all levels of ability, from beginners to published authors.
Go to the Gift Certificates page to see what you need to do to delight that special writer in your life.
Rachel Mann was the winner of of the 2016 National Jewish Book Awards in the Young Adult category for On Blackberry Hill. Congrats, Rachel!
Paulina Fariza's children's book, Les sospites de la Mònica, has been republished in Catalan in its 5th edition by Cruilla.
For the second year in a row, Lezanne Clannachan was shortlisted for the 2016 Fish Short Story Prize for "Jokes in Lemon Juice". Congrats!
In November 2015 Jennifer Pittam won a Flash Fiction contest (with prize money!). Congrats to you!
Emma Healey's Costa-winning first novel is to be turned into a TV series. Read more . . .
Lezanne Clannachan's short story, "Lessons in a Foreign Language " was shortlisted for the 2015 Fish Short Story Prize.
Two of Anne's short stories have been accepted for an upcoming anthology, due at the end of 2017.
Anne presented an introduction to For Whom the Bell Tolls on 27 September 2016 @ Filmoteca de Albacete, Spain, as part of the celebration of the arrival of the International Brigades during the Spanish Civil War. Sponsored by CEDOBI (Centre for Research and Documentation of the International Brigades).
Keep, and use, a writer’s journal. When you need something fresh and unexpected for your prose, pick up an old notebook and flick through it. This “lucky dip” can be invaluable when you get stalled for ideas.
I did exactly that recently. In a novel I was working on, one of the main characters goes on a road trip and leaves his wife, Lola, behind. As someone who’s always been nervous, she is worried that something terrible will happen to her husband. I couldn’t think of an image to show Lola’s terror and misgivings about her husband’s journey so I decided to do a lucky dip.
Buried in an old diary, I found a dream I’d written down years before. I got goose bumps while reading about the assassination of Abraham Lincoln I’d recorded and completely forgotten about. The strange, shocking quality of my dream was exactly what I needed to give to Lola. It injected suspense into the end of the chapter, leaving the reader with a sense of unease. Showing, not telling.
"You might not write well every day, but you can always edit a bad page. You can’t edit a blank page."
Anne Aylor is a professional writer and teacher who has had short stories and poems published by the Arts Council of Great Britain, Oxford University Press, The Literary Review, London Magazine and Stand Magazine.
Her first novel, No Angel Hotel, was republished in 2012 in a new revised edition. Her second novel, The Double Happiness Company, was published in 2011. She is 90,000 words into her third and is working on a fourth.
A number of her stories have been broadcast on BBC Radio. In 2008 she was shortlisted for the Bridport Prize and in 2011 for the Fish Short Story Prize. In 2014 she was the winner of the Historical Novel Society Short Story Award.
Her stage play, Children of the Dust, won a playwrighting competition and was co-produced by the Soho Theatre and Theatre Warehouse, Croydon.
She worked in post-war Bosnia where she practised Chinese medicine and taught ballet. She taught ballet at Morley College in London and is a member of PEN and 26. In 2007 she was a shortlist judge for the story competition held by the Wimbledon Book Fest and in 2011 she was the judge in the Peter Barry Short Story Competition.
Anne received the Historical Novel Society International Short Story Award 2014. Her winning story, “The House of Wild Beasts", was adapted from her novel-in-progress about the Spanish Civil War.
My husband's first book, Left Field: the memoir of a life-long activist, was published in April 2016.
My involvement with it began at its inception when we were on holiday in Dalmatia and he began telling me stories about his ex father-in-law . . .